One of my concerns of late has been the reclaiming of classical literatures from regressive frameworks. If that sounds euphemistic it’s because it is. My concern, more simply put, is that regressive ideologies have claimed the classical literatures that came from Europe as their own, and this is at the expense of progressive ideologies. I’m not saying that these texts are the only texts of merit, nor am I saying that they should be studied at the expense of texts that have been marginalised under, let’s admit it, settler-colonialist pedagogies that are premised on European-supremacy. Nonetheless, given settler-colonialism is one of the after effects of European invasion and colonisation, I do think it is important to understand the texts that gave shape to that mindset, if only so that the systems built on those readings can be dismantled from within. Colonised peoples know that the systems are fucked, finding ways of teaching colonisers (and I count myself among that number) about the ways in which their world views are not universal, nor even coherent, and are certainly not materially applicable in a universal sense (ie. they’re not just “the way things are”). To this extent Aphra Behn’s novel, Oronooko provides a valuable insight into the early spread of colonialism and the ideologies that underpin it.
I’ve been listening to audiobooks. I’ve had friends and colleagues tell me that this is a thing that I should be doing for ages. This makes sense, I’m busy, I’m overcommitted, I commute and I do a lot of walking. Audiobooks should be a way of maximising productivity and pleasure in one hit. In some ways, they have been. I enjoy being read to, there’s something delightful and childish about it. I find it comforting.
I also find it hard to concentrate, and I often have to go back and repeat entire chapters. I realise that as I’ve been cleaning, walking, staring out of the train window, whatever, I’ve lost half a story. In one ear, out the other.
I have been fascinated by Kate Tempest since the first time I saw her. I think it was on some Australian morning show. I remember being surprised that they had a poet on (I don’t watch daytime television for the most part) And there was this Raphealite cherub in jeans and an oversized shirt, And instead of pearls and jubilations she spoke gritty prescience. She was some Cassandra, some some soothsayer, some unforgiving truth speaker. I was a ready made acolyte.
I devoured her written work, Let The Eat Chaos, The Brand New Ancients, Hold Your Own, The Bricks that Built the Houses, and Everything Speaks in Its Own Way. I listened to them where I could find them. I even made the Wayward Girls read them (we did Brand New Ancients just last month). Then this month, Running Upon the Wires was released. I ordered copies (both the book and the CD) from the UK (for reasons I don’t have to justify to you).
It’s just before 8pm on a Monday night and I’m sat in The Clyde, waiting for my dinner and listening to a group of undergraduates (five men, one woman) discuss sex education. One of the students wears a navy hoodie with the word “Science” emblazoned across its back. I’m guessing they’re not humanities students. Mostly because one of them said “re-entry” and the rest of them giggled. I’ve just come from a talk at the nearby Church of All Nations, hosted by the Victorian Women’s Trust and Readings bookstores. The conversation was between noted local feminist columnist and slayer of trolls, Clementine Ford, and Bri Lee, the young author of a memoir entitled Eggshell Skull.
On Friday I walked underneath a blazing sun with 60 thousand other people to stand in solidarity with Aboriginal people and Torres Straight Islanders. We gathered in Naarm on Wirundjuri and Boon Wurrung land, under the banners of Constitutional recognition for Indigenous Australians, the abolition of national holidays that are invested in narratives of white supremacy, and calling for a treaty to be negotiated in relation to the stolen land on which we work, walk, live, and love. We mourned the violences enacted against a 60 thousand year old culture. As I’m writing this, I’m sat in a pub, surrounded by old men while Baker Boy plays over the speakers, and there is an absolute joy that I derive from hearing Danzel Baker singing in Yolngu Matha. The resilience of humans to keep culture alive through art, stories and music is, for me, central to what it is to assert subjectivity (self in relation to power) in the face of oppression and dehumanisation. It is a bitter irony that International Holocaust Remembrance Day falls on 27th January, the very day after the Australian national celebration of the events that resulted in Australia’s genocide against First Nations people. News papers can’t seem to decide between proclamations of “Never Forget, Never Again” and “Just Get Over It.” The dissonance is painful.