Fiction, Life Writing

Sounds of Silence: Audiobooks and the Reader

I’ve been listening to audiobooks. I’ve had friends and colleagues tell me that this is a thing that I should be doing for ages. This makes sense, I’m busy, I’m overcommitted, I commute and I do a lot of walking. Audiobooks should be a way of maximising productivity and pleasure in one hit. In some ways, they have been. I enjoy being read to, there’s something delightful and childish about it. I find it comforting.

I also find it hard to concentrate, and I often have to go back and repeat entire chapters. I realise that as I’ve been cleaning, walking, staring out of the train window, whatever, I’ve lost half a story. In one ear, out the other.

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Life Writing

Reflection: By Grand Central Station I Sat Down and Wept by Elizabeth Smart

I’ve been reading a lot of florid fiction of late. There was Jenny Hval’s Paradise Rot last week, Djuna Barnes’ Nightwood, and Beverley Farmer’s Alone. These books have allowed me to sit with some fairly deep and conflicting emotions that I’ve had to process over the last twelve months, feelings related to my position as a Dedicated Spinster, feelings related to the likelihood that I won’t be a mother (old, single, precarious employment/no mat leave) and the reality that even if I do, my father, who is very unwell, won’t ever meet any of my children (beyond the furbaby, Dr Felix). This is, like, a lot. And I often find that the clean, fresh, pared back language that is favoured in contemporary writing doesn’t do justice to the messiness of these deep, but reasonable, feelings. By Grand Central Station I Sat Down and Wept  was a glorious means of understanding the fury, focus and frailty that arises when we see the future we had imagined thwarted.

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Fiction

Reflection: Paradise Rot by Jenny Hval

I remember the first time I saw Janny Hval. She was performing at the Bella Union in Trades Hall and was supporting Laura Jean. She was on stage with a double bass, and a drum kit. There might have been other instruments, I don’t remember that. I do remember her voice: ethereal, and pure. Her voice was morning sunlight made song. She put me in mind of Milton’s Lapland witches, whose charms eclipsed the labouring moon. Ever since then, I’ve been chasing that first encounter. I found a version of it in her album Viscera, although less so in later albums and performances. I was hoping that her book, Paradise Rot, would again, trip up my experiences. It did.

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Fiction, Life Writing

Reflection: The Book of Dirt by Bram Presser

On Friday I walked underneath a blazing sun with 60 thousand other people to stand in solidarity with Aboriginal people and Torres Straight Islanders. We gathered in Naarm on Wirundjuri and Boon Wurrung land, under the banners of Constitutional recognition for Indigenous Australians, the abolition of national holidays that are invested in narratives of white supremacy, and calling for a treaty to be negotiated in relation to the stolen land on which we work, walk, live, and love. We mourned the violences enacted against a 60 thousand year old culture. As I’m writing this, I’m sat in a pub, surrounded by old men while Baker Boy plays over the speakers, and there is an absolute joy that I derive from hearing Danzel Baker singing in Yolngu Matha. The resilience of humans to keep culture alive through art, stories and music is, for me, central to what it is to assert subjectivity (self in relation to power) in the face of oppression and dehumanisation. It is a bitter irony that International Holocaust Remembrance Day falls on 27th January, the very day after the Australian national celebration of the events that resulted in Australia’s genocide against First Nations people. News papers can’t seem to decide between proclamations of “Never Forget, Never Again” and “Just Get Over It.” The dissonance is painful.

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Fiction

Reading Resolutions

I’m not really one for New Year’s Resolutions. I figure if I am going to exercise it shoud be a thing I want do to, not just a thing I need to do by x date. The thing that I want to do more of in 2018 is read experimental fiction. After a semester teaching Carter, and speaking at a conference on Ethics in Utopias and Dystopias, I’m inspired to pick up more experimental fiction. This is probably also aided by reading Eimar McBride‘s A Girl is a Half Formed Thing (a cute boy recommended it to me and I’m as superficial as the next person and wanted to impress him. That encounter didn’t go past the first date, but I did end up with this New Year’s Resolution and a subscription to Salvage Quarterly, so I’m calling it a win.) Continue reading “Reading Resolutions”